Showing posts with label movie. Show all posts
Showing posts with label movie. Show all posts

Friday, January 1, 2010

Three Idiots and Rocket Singh

Rajkumar Hirani has carved a niche out of making light and entertaining movies with a social message. 3 idiots entertains – mostly – and has a message on our education system. But I found it too long with the second half meandering without purpose. The twist was of no consequence, the webcam-assisted medical scene totally irrelevant and the depiction of middle-class poverty puerile. They killed what might otherwise have become a classic along the lines of M’bhais. Since Aamir has a history of interfering with directors, I don’t know if he or Hirani was the culprit. In any case, the acting is first-rate, the comedy is funny, and the narrative is mostly engaging. Worth the movie ticket, but no more.

As much as 3 idiots is ruling the box office, there was another recent movie with a similar message. In Rocket Singh, the protagonist is unable to cope with the ways of the corporate world and decides to follow his heart, which expectedly is against the unsaid rules of the game. There was hardly a dull moment, and except for the poignant if over-the-top climax scene, every other line or shot brought a smile to my face. Its biggest achievement, in my view, is that the humor never looked cheap, this despite one of the main characters being a porn-addict! And “cheap” is what some of the gags in 3 idiots seemed to me. But at the box-office, where it matters, 3 idiots hit the bulls-eye (although RS did reasonably well in overseas markets).

Whereas Rocket Singh portrayed the grim reality of life, 3I invokes the supernatural power of “all iss well” to calm your nerves during bad times, continuing on the lines of jaadu ki jhappi and Gandhigiri. I liked Lage Raho for perfectly walking the tightrope of keeping things light but spreading a message, but 3I overextends to one side or the other. Some of the comedy – the ragging scene to demonstrate the conductive properties of salt water, patient on scooter – is purely to elicit laughs with no relevance to the story line whereas when its message time, you can safely switch off your mind for a few minutes. I guess this is to an extent a reflection of our reluctance to be frank. We like our messages sugarcoated – if the message is lost, there’s at least the sugar. It is probably this optimism that is well captured in the WSJ article, Indian Standard Time Warp.

Tuesday, August 11, 2009

Knowing your Audience

Read RGV's interview w/ TOI today. Apparently, he has given up trying to figure out what the audience wants. It seems the Indian audience is too diverse to create something that will satisfy everyone. He claims that people love or hate his films for different reasons. That there is no consistent feedback on why a certain film worked and why another didnt. So he has stopped worrying about what people want or think and decided to do his own thing - hoping that it might appeal to just enough people to recover his investment.

I agree with his observation but not necessarily the conclusion. RGV clearly understands that presentation and treatment are as  important, if not more, than the story and actors. Fault him for his ridiculous choice of actors and stories, but you cant criticize the technical standards of his movies. His problem, now, is that he is focusing  too much on the form while ignoring the substance. In fact, he  seems bent on proving that the audience will lap up anything that has slick editing, sound effects, and unexpected camera angles. And there's the rub.

His criteria of analyzing audience is off. He is trying to find a common pool of people who'll appreciate his directorial touches like  Bhiku Mhatre's death in Satya, Abhishek's character in Naach, Urmila's experience in Bhoot and what not.  And then he feels there are too many variables.  Naturally. He is losing the forest for the trees. He cant expect ordinary moviegoers to get each of these nuances. It worked fine in his younger days coz he was not as sophisticated . Think of it as a pyramid. The higher up you go, the fewer there are. The trick is to target the base with the vast majority of our moviegoers. They understand simpe human emotions like love, hatred, pride, envy, greed etc.  And so long as a movie has these ingredients served in a coherent manner, it will  find takers. Not to say the ones purely relying on treatment wont succeed - just that it is a much riskier bet.

A confession is in order. I am a die-hard RGV fan and firmly believe that even his worst film is much better than the best films of several "succesful" directors.

Thursday, July 9, 2009

Outsourced!

Watched this movie on TV last night, finally. I have had it on my laptop for quite a while and never got around to watching the entire movie. Some friends had highly recommended the movie and since I didnt have much to do last night, I set myself up to watch it start to finish.

Must say I am not disappointed. Infact, it was a quite a treat. Anyone that has worked in the IT/ITES industry and also traveled to the US will see the humor. In fact, desis that have lived in the US for a few years and returned to India will relate to the movie most. Some of the aspects a little over the top. Such as the choice of location for the call center as well as its construction. Plenty of cliches and predictable scenes, but even they are not as rich. I mean, I could think of a 100 different things that can lead to funny situations. Anyway, the screenplay crisp enough to keep things moving.

Dont think its worth renting a DVD. If its on TV and you have nothing else to do, definitely watch it.

Watched this movie on TV last night, finally. I have had it on my laptop for quite a while and never got around to watching the entire movie. Some friends had highly recommended the movie and since I didnt have much to do last night, I set myself up to watch it start to finish.

Must say I am not disappointed. Infact, it was a quite a treat. Anyone that has worked in the IT/ITES industry and also traveled to the US will see the humor. In fact, desis that have lived in the US for a few years and returned to India will relate to the movie most. Some of the aspects a little over the top. Such as the choice of location for the call center as well as its construction. Plenty of cliches and predictable scenes, but even they are not as rich. I mean, I could think of a 100 different things that can lead to funny situations. Anyway, the screenplay crisp enough to keep things moving.

Dont think its worth renting a DVD. If its on TV and you have nothing else to do, definitely watch it.