So Hussain will continue to paint from wherever he is, and if he is the master painter they proclaim him to be, he is sure to attract attention and awards and whatever it is that painters are honored with. With the threat of the so-called Hindu fundamentalists out of the window, he can confidently push his envelope and paint Gods, Goddesses, Demons, Angels, maybe even humans in whatever manner, and by the simple rule of probability, one of them is bound to hit the bullseye. Should that happen, our media will promptly claim credit highlighting his Indian association, for he learnt and practiced the art here. This is more than what can be said about certain other artistes in whose success we brazenly bask. The most recent instance being a website that has proclaimed that Desis have taken international TV by storm. Notwithstanding that "Desi" is generally used in derogatory sense, none of the actors featured in this list have ever lived or practiced in India, to the best of my knowledge. Its not too far fetched to imagine that the media will claim credit for a novelist, who on a flight from Shanghai to SF, happened to scratch his behind at the precise moment that the flight entered the Indian airspace, and went on to write a bestseller. If thats a stretch, what about the coverage of Amla's Gujju connections following his brilliant performance in the test series?
The way I see it, Hussain will now paint all he wants, and by extension, will come up that one odd monstrosity which will thrill the art world while we will sit back and rejoice that India has produced a master painter. What am I missing?
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